“It’s one of the things that make me less certain than I want to be of a future existence,” said Joan: “the thought that animals can have no part in it; that all their courage and love and faithfulness dies with them and is wasted.” Beyond giving up her visits to the house, she had made no attempt to avoid meeting Phillips; and at public functions and at mutual friends they sometimes found themselves near to one another. It surprised her that she could see him, talk to him, and even be alone with him without its troubling her. He seemed to belong to a part of her that lay dead and buried—something belonging to her that she had thrust away with her own hands: that she knew would never come back to her.!

“Why do you say ‘dish’ of tea!” asked Mrs. Phillips, as she lowered herself with evident satisfaction into the easy chair Joan placed for her. “Oh, you know,” explained Flossie. “Like a volcano compressed into a steam engine.”

“It’s a noble ideal,” he said. “La Patrie! The great Mother. Right or wrong, who shall dare to harm her? Yes, if it was she who rose up in her majesty and called to us.” He laughed. “What does it mean in reality: Germania, Italia, La France, Britannia? Half a score of pompous old muddlers with their fat wives egging them on: sons of the fools before them; talkers who have wormed themselves into power by making frothy speeches and fine promises. My Country!” he laughed again. “Look at them. Can’t you see their swelling paunches and their flabby faces? Half a score of ambitious politicians, gouty old financiers, bald-headed old toffs, with their waxed moustaches and false teeth. That’s what we mean when we talk about ‘My Country’: a pack of selfish, soulless, muddle-headed old men. And whether they’re right or whether they’re wrong, our duty is to fight at their bidding—to bleed for them, to die for them, that they may grow more sleek and prosperous.” He sank back on his pillow with another laugh. “No,” the child answered. “Mama had a headache this morning, and I slipped out. You’re not keeping your promise.” It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.